V for Vendetta (the movie)
Dec. 26th, 2007 05:46 amI appear to be in the slim minority among my peers in finding this movie dreadful. It had its moments of being interesting and watchable, but felt so self-important and ponderous overall that I didn't enjoy it. I've never read the book, but I don't think that should matter--movies and the books they're based on need to stand alone without serving as Cliff Notes for one another.
I feel like maybe people who liked it were reacting to the whole revolutionary theme--the rebellion against a draconian (and explicitly Conservative) government. It's certainly the first time I've seen a dystopia movie where oppression of homosexuals was a major theme, but while that's a realistic aspect of the dark future, it's just a detail. It's inclusion didn't save the movie from its leaden pacing and preachy tone. I guess we're supposed to be filled with the feeling of "IT COULD HAPPEN HERE!" Yeah, of course, that's the point of all these movies. Maybe reality has gotten bad enough that the story (written what, 25 years ago) doesn't seem so ominous to me. That should make the movie more visceral and terrifying (as I found Children of Men to be).
I appreciated Stephen Fry (playing a sci-fi Oscar Wilde, the role he was born for) and John Hurt (playing Big Brother--with this and Equilibrium, I've got to wonder, why does the evil dictator insist on putting his ugly face on 50 foot video screens? That's no way to win favor. you won't see McCain doing that. But you probably will see Romney do it) [oops I put complete sentences in my parentheses] putting in good performances. In fact, all the great British actors striding about impressively draw unwelcome attention to Ms. Portman--who I must admit I've never enjoyed--and her Princess Amidala faux-brit accent. They could have edited her parts down by half and made the movie that much better. Or perhaps found an accomplished British actress (NOT Keira Knightly, thanks) to play the part instead of going for the box office draw. Then there's poor Hugo Weaving, an actor with compelling features reduced to the Phantom of the Opera muttering soliloquys in a heavy mask, wig, and hat (all of which, by the way, are available by the tens of thousand in a strictly regulated society under constant surveillance and operating under heightened alertness about a terrorist wearing precisely those items).
Definitely the surprise disappointment of the year for me.
I feel like maybe people who liked it were reacting to the whole revolutionary theme--the rebellion against a draconian (and explicitly Conservative) government. It's certainly the first time I've seen a dystopia movie where oppression of homosexuals was a major theme, but while that's a realistic aspect of the dark future, it's just a detail. It's inclusion didn't save the movie from its leaden pacing and preachy tone. I guess we're supposed to be filled with the feeling of "IT COULD HAPPEN HERE!" Yeah, of course, that's the point of all these movies. Maybe reality has gotten bad enough that the story (written what, 25 years ago) doesn't seem so ominous to me. That should make the movie more visceral and terrifying (as I found Children of Men to be).
I appreciated Stephen Fry (playing a sci-fi Oscar Wilde, the role he was born for) and John Hurt (playing Big Brother--with this and Equilibrium, I've got to wonder, why does the evil dictator insist on putting his ugly face on 50 foot video screens? That's no way to win favor. you won't see McCain doing that. But you probably will see Romney do it) [oops I put complete sentences in my parentheses] putting in good performances. In fact, all the great British actors striding about impressively draw unwelcome attention to Ms. Portman--who I must admit I've never enjoyed--and her Princess Amidala faux-brit accent. They could have edited her parts down by half and made the movie that much better. Or perhaps found an accomplished British actress (NOT Keira Knightly, thanks) to play the part instead of going for the box office draw. Then there's poor Hugo Weaving, an actor with compelling features reduced to the Phantom of the Opera muttering soliloquys in a heavy mask, wig, and hat (all of which, by the way, are available by the tens of thousand in a strictly regulated society under constant surveillance and operating under heightened alertness about a terrorist wearing precisely those items).
Definitely the surprise disappointment of the year for me.
no subject
Date: 2007-12-26 12:30 pm (UTC)no subject
Date: 2007-12-26 01:39 pm (UTC)no subject
Date: 2007-12-26 02:02 pm (UTC)no subject
Date: 2007-12-26 03:34 pm (UTC)no subject
Date: 2007-12-26 07:09 pm (UTC)no subject
Date: 2007-12-26 02:37 pm (UTC)no subject
Date: 2007-12-26 02:42 pm (UTC)no subject
Date: 2007-12-26 02:45 pm (UTC)no subject
Date: 2007-12-26 02:51 pm (UTC)To me it was.... meh
Date: 2007-12-26 03:04 pm (UTC)It did nothing more than make me go hmmm, interesting and then, put it away in the back of my mind.
For a movie, it lacked the umph that makes me go good flick.
However, I must admit the V alliteration(sp?) speech at the beginning was made of Teh Awesome.
no subject
Date: 2007-12-26 03:05 pm (UTC)I was particularly impressed with Weaving, who managed to portray some subtle emotions behind the mask. Yes, Portman is mediocre at best, but kudos to her for actually going through with the head shaving.
Here's the part where everyone really gets to jump on me. It's better than it's source. The original was Moore finding his footing in the medium and was written in six page installments and he was obviously making it up as he went along in some points. The film has two writers who are pretty well established paring down the story to it's basic elements. Moore is a much better writer than the brothers could hope to be, but he wasn't quite there yet when he wrote V.
no subject
Date: 2007-12-26 03:05 pm (UTC)You're spot-on about Portman, Knightly, etc, too.
no subject
Date: 2007-12-26 03:36 pm (UTC)no subject
Date: 2007-12-26 04:14 pm (UTC)no subject
Date: 2007-12-26 05:08 pm (UTC)no subject
Date: 2007-12-26 05:17 pm (UTC)no subject
Date: 2007-12-26 05:31 pm (UTC)This is why I don't talk about movies and television shows.
no subject
Date: 2007-12-26 06:11 pm (UTC)no subject
Date: 2007-12-26 07:11 pm (UTC)no subject
Date: 2007-12-27 05:55 am (UTC)no subject
Date: 2007-12-27 06:32 pm (UTC)